This
article is the fourth in a series of articles designed to give a brief
commentary on the prophetic portion of the Old Testament known as the book
of Zechariah. In particular, this article will deal with the Vision of the
Four Horns and Craftsmen given in Zechariah 1:18-21. These verses describe
the second night vision within a series of eight such visions (Zech.
1:7-6:8).
There is some question as to which chapter of Zechariah
these verses belong. The organization of the Hebrew Bible puts them as the
first four verses of the second chapter. However, following the Septuagint
and Jerome, English versions place it in the first chapter. However, this
difference is inconsequential since the chapter divisions are not inspired
by God but were added later for study purposes.
The meaning of the second night vision is from one
perspective merely the flip side of the first vision of the riders on the
horses. In the first vision, God primarily encourages Israel by His
promise of restoration for Jerusalem and the nation. God’s judgment of
Israel’s enemies is only implicit in the vision. In the second vision,
He comforts Israel by assuring them that their enemies will be overthrown.
Both visions contribute to the overall message that God will remember His
people and His promises to the fathers and to all generations of the
nation in spite of the opposition along the way throughout history. Both
visions thus appear to fulfill the gracious and comforting words from God
mentioned in 1:13 and that were to be part of Zechariah’s proclamation
(1:14). The second vision, like the first, is more general as it gives an
overview of God’s promises, while the third through eighth visions give
more specific predictions. In this way, the first two visions combine to
introduce the remaining prophecies in the section.
The general idea of the second vision is that Zechariah
sees four horns, which have scattered Judah, Israel, and Jerusalem,
followed by four craftsmen who apparently destroy the four horns. The
framework of the vision consists of Zechariah’s introductory phrase and
two questions which he asks the angel with whom he is speaking. Zechariah
begins with the words "Then I lifted up my eyes" (v. 18). This
phrase marks off the second vision from the first. It also is used by
Zechariah to introduce the third vision and the last three of the eight
night visions (2:1; 5:1; 5:5-9; 6:1). Such language is common in prophetic
portions of the Bible (cp. Daniel 7-12) and reinforces the fact that the
vision is coming from another source, i.e., God, to Zechariah and that the
prophet is primarily an observer with respect to the visions.
Zechariah’s two questions to the angel as he observes the vision are
related to the two symbols in the passage. He first asks for the identity
of the four horns: "What are these?" (v. 19). Later he
asks the angel for the purpose of the four craftsmen: "What
are these coming to do?" (v. 21).
These two questions take the reader to the heart of the
vision. First, what is the identity of the four horns? The term horn
is not used elsewhere in Zechariah. In the immediate context of the
vision, there are a couple of observations that can be made. The horns,
according to the angel’s answer to Zechariah’s first question, have
scattered Judah and Israel along with Jerusalem (v. 19). Nations or
leaders of nations scatter other nations. Thus, enemy nations would be in
view. This position is consistent with the statement later in the vision
that the craftsmen would come to throw down the horns of the nations
(v. 21). Therefore, the context of the second vision easily leads one to
the conclusion that the horns represent enemy nations and/or their rulers
who come successfully against Judah and Israel in some way.
This identification is also consistent with how other
biblical texts use the term horn. In the Bible, the horn is
generally understood as the horn belonging to that of a wild animal such
as a ram or goat (e.g., Dan. 8:3, 5). It often symbolizes the idea of
strength. For example, in 1 Samuel 2:10 the text says "And He will
give strength to His king, and will exalt the horn of His anointed."
Here the Hebrew parallelism shows that the term horn refers to
strength as it relates to a leader of a nation. Furthermore, the book of
Daniel, which uses the word horn more frequently than any other
Bible book, specifically uses it to refer to a king from the third world
empire of Greece (the little horn of Daniel chapter eight) and to refer to
a king from the fourth world empire of Rome (the little horn of Daniel
chapter seven). In addition, Daniel 7:7 refers to the fourth world empire
as having ten horns. These ten horns are defined later as ten kings
(7:24). Throughout the discussion in that chapter of Daniel, the focus is
on the little horn who wages war against the saints. In context, this is
the king with his nation or empire who attacks and attempts to harm.
Zechariah’s audience would have been well aware of this imagery from
Daniel in the immediate years following the Babylonian captivity. They
would have understood the horns of Zechariah 1:18-19 as kings and nations
who scattered Judah, Israel, and Jerusalem.
However, there is no specific identification of
the four horns given within the text of Zechariah itself. The fact that
Zechariah does not ask for any further clarification may suggest that he
understood which kings and nations are in view. Again, this would not be
surprising in light of his probable familiarity with the book of Daniel.
Daniel gave a vision of the sequence of four world kingdoms that keep the
chosen people from controlling their own land. It is pictured by way of
Nebuchadnezzar’s dream of a statue in Daniel two and by way of animal
imagery in Daniel seven. These chapters form the backdrop of the
identification of Zechariah’s four horns. The four world empires are
Babylon, Medo-Persia, Greece, and Rome. The first three are clearly
identified in Daniel beyond question while the fourth one can be deduced.
Zechariah is living in the early years of the Medo-Persian era so that the
final two empires are future to him. However, the empires had been
predicted by Daniel and could be known by Zechariah on that account. The
import of its meaning for Zechariah and his audience is that some aspects
of the judgment upon the nation that started with the Babylonian captivity
will still continue on for a time.
Nonetheless, the people who had returned to the land
should take heart precisely because God’s plan of ultimate deliverance
for them is sovereignly in place. This is where the imagery of the four
craftsmen comes in. The craftsmen come to do two things (v.21): 1) terrify
the horns; 2) throw down the horns. The meaning is that each of the four
horns will be done away because of hurting Judah. That is, Judah’s
enemies will face their own time of judgment. At the time of Zechariah,
Babylon had already been thrown down (cp. Dan. 5). The others will be
thrown down as well so that God could keep his promise of full restoration
for the nation. The identification of the craftsmen is similar to the
horns. The leader of the nation who overthrows the previous empire is in
view. Daniel’s portrait of the sequence of the four world kingdoms ends
with God’s ultimate intervention, but the truth is also presented that
God is the one who sovereignly raises up and puts down throughout the
sequence. In other words, Zechariah’s four craftsmen are doing God’s
bidding as he controls the timeline of history.
Zechariah’s immediate audience would have been
comforted to know, even if they did not live to see the ultimate
deliverance of their nation, that they could live confidently in their day
in light of God’s sure promise for tomorrow. Zechariah’s later visions
help to make application of this idea for his people. Christians can apply
such a message in the twenty-first century also. We who have placed our
faith in Christ for salvation from sin should eagerly await the rapture of
the Church and the later Second Coming of Jesus, knowing that these two
events will mark the beginning of the final era of restoration.